After the light switch on at the Freedom Centre I moved on to Hessle. It was much busier here and because of the crowds I struggled to find a parking space and arrived just after the lights had been switched on.
The set up here was much bigger. There was a large stage with barriers around it in the middle of the square and lots of food and market stalls around.
The street team here had already given out most of their KCFM flags and were all on stage with Matt Hutchinson the presenter from the breakfast show and Nancy Birtwhistle, the winner from this year’s Great British Bake Off.
I took a few photos when they came off the stage and then focussed on the crowd and the other acts. The lighting on the stage was much better here in Hessle than it had been at the Freedom Centre and it was much easier to get clear photos of the acts on the stage.
These are a few of the photos that I took at Hessle last night, some of which will be suitable for my Documentary Assignment.
Matt Hutchinson with 2014 Bake Off Winner Nancy Birtwhistle
Last night I went with the KCFM Street Team to photograph them supporting the Christmas light switch on event at the Freedom Centre in Hull for my Documentary Assignment.
The Freedom Centre is a small shopping centre that had set up a small stage outside with stalls and children’s activities around it. The Freedom Centre had been running an X Factors style music competition and the winners were all due to perform at the event which was to be hosted by Paul Woodford, one of the weekend presenters at KCFM.
I didn’t want to use a flash so I began by turning up the ISO on my camera. I didn’t really want too much grain so I tried both ISO3200 and ISO6400. I changed both the Aperture and the Shutter Speed depending on where I was pointing the camera.
I began by photographing the street team giving out flags to children and trying to capture some photos of the children waving flags. It was very difficult because of the darkness and the speed at which children move!
The area in front of the stage was very dark and the stage was lit mainly by some coloured lights but also from behind by some strip lighting from a room at the back of the stage. I needed to keep moving in order to get into a position where I could photograph what was going on on the stage without being caught in the glaring lights.
These are some of the photos that I took last night.
KCFM Branded Car and Street Team
There were fewer people at the Freedom Centre than I would have expected but the acts that performed were very good. I stayed for a couple of hours and left just before the lights were actually switched on in order to get over to Hessle and capture some of the activities that KCFM were involved with over there. KCFM were also at Hedon and Goole for their light switch on events but I was unable to get around them all in one evening.
For the final part of my Interpretations assignment I went along to the railway station in Scunthorpe to take some photographs during the rush hour. Due to the number of people in the town working shifts the rush hour is not as noticeable as it might be in other towns and cities but there still plenty of people getting on and off the train at 6.00 ish.
With only three passenger trains coming through each hour, and two of them coming in at the same time, I only had a short window in which to take my pictures. I positioned myself ready for the first train but it stopped much further along the platform than I anticipated. Consequently I found myself in the wrong place and only managed to get a couple of photos of people marching towards me.
On the other, busier, platform I sat on a bench behind the people waiting to get on. I decided that I wanted to stay low and try to capture the movement of either the train or the commuters. I had my camera on multiple exposure and rattled off a few photographs. The very last one I took was my favourite.
On the way to the railway station I took the opportunity to take a few photographs of the cars queuing and going through one of the busy crossings in the town. I didn’t have a tripod with me so they have all been taken with my camera resting on my hat on my camera bag. Unfortunately without my tripod I couldn’t get into a clear position to be able to shoot the traffic without the wall obscuring much of the road.
One of the things that I am really poor at is filtering down my photos. I end up with hundreds of photos, most of which, I am never going to use for anything. It was suggested that I look at an iconic book called The Americans by Robert Frank that is particularly noted for the way that it has been edited and presented. Of the 500 rolls of film that were used to shoot the photographs, only 83 images made it to the final book.
The photos were taken on three road trips around America that Frank took in the 1950s with his two children and his wife at the time. Many of the photos include shots that are out of focus or had some blur in them which was a bit shocking at the time and upset many traditional photographers. The fact that he has crossed class and race boundaries to take these photos would have been appalling to many.
I also notice that several of the images have people in them but their faces are obscured, again that would have been a new concept at the time. I particularly like this example called Rooming House – Bunker Hill, Los Angeles.
Frank studied with Alexey Brodovitch, a Russian photographer that revolutionised the images used in Harpers Bazaar magazine. Perhaps it was this influence that encouraged Frank to be so experimental in his images.
Frank used strong shapes and patterns in his images and there is lots of grain in them. It all helps to show the emotion in a scene rather than the facts of the scene. For example in the image called Movie Premier – Hollywood, instead of the star being in focus he has chosen to focus on the background. At first glance this looks like Frank has been a bit sloppy but actually it highlights what is going on with the onlookers and how they are feeling.
As I look through the book I see lots of photos that don’t tell a conventional story, yet somehow all of them work together to form a larger picture of what life was like across America in the mid fifties. Frank was born in Switzerland and perhaps it is because he was born outside of America, that these sights were new to him, and that he was able to capture the spirit of the age.
After the initial introduction, the photos are laid out with one photo on each right hand page. This enables you to focus on each photo and not be distracted by anything else.
The left hand pages are all blank except for a small page number and the captions for the photos are listed at the back of the book.
This video by the Smithsonian gives a good overview of the book and highlights some of the editing choices made by Frank.
I like the way the book has been put together and will try to do something similar for my documentary assignment.
For this part of the Interpretations assignment I had an idea that I would take a picture of an older couple sitting on the sea front sharing a bag of chips or something similar. I primed my parents and planned a walk along the seafront but before we got there I saw these two road sweepers chatting in front of this statue of two Franciscan monks.
I just couldn’t resist whipping my camera out and taking this shot. I really like the way the cleaners are mirroring the pose of the monks and the way their bright uniforms stand out against the austerity of the monk’s robes.
I have chosen to include it in my Interpretations assignment, but it could just as easily have been part of the Decisive Moment assignment.